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Behind-the-scenes Dance photoshoot

Feb 24, 2025
3 min read

Feat the Castelet Prison in Toulouse


This is a first, you will not see my face from now on, I warned you a while back and am finally taking the step. These Behind-the-scenes won’t be that different, usually, it’s the other way around, people tend to show themselves more, and marketing-wise it’s always better to put a face on a company, it eases the connection with the audience blah, blah. I don’t care, I want you to focus on my work, I want to disappear behind my work, and this is the first step.


Will you ever see me talking to the camera again, probably, when I feel it’s necessary. I posted on the blog a few articles and an exclusive BTS video featuring Angelina who is also the dancer model of this video. But the video on the blog is not a longer version of this it’s a completely different session, if you are interested in that you know where to go. 


These were made during my old days using the AD300pro, and that tiny 65cm softbox; I am still using the GFX100s, and the 20-35mm lens was back on my camera. 



We didn't make a lot of pictures this time because these need time even when you work with a small setup. The bare minimum I shoudl say as I usually use a bigger softbox for these a 2nd light and most importantly a much more powerful strobe. But the AD300 pro did a fairly good job even if it wasn't the right tool for it.


Angelina Rakova (Prison du Castelet Toulouse/ France)

Fujifilm GFX100s + GF20-35mmF4 R WR

1/400sec f/4 ISO 100 at 20mm





You know the process, I've talked about this in the past. You can see in the video I am using a tripod to secure my framing and save time. It also alows me to take a clean plate and clean my final image if needed. My Flash was in the way a few times so this method speeds up the process of erasing it... even though we all know now that Ai does a really good job at that.


I ended up using different plates and stacked several images together to make these 3 first images work. I am less fan of this third one as a 2nd light could have helped seperating her from the backdrop. Another easier solution would have been choosing a different outfit...


Angelina Rakova (Prison du Castelet Toulouse/ France)

Fujifilm GFX100s + GF20-35mmF4 R WR

1/250sec f/4 ISO 50 at 20mm



I missed this look, the feeling of being close to the action. The GF20-35mm definitely didn't deserve staying in my bag.


Angelina Rakova (Prison du Castelet Toulouse/ France)

Fujifilm GFX100s + GF20-35mmF4 R WR

1/640sec f/4 ISO 50 at 35mm



And I felt this even more while retouching these photos, as I feel the last 2 are the weakest of this session... I am using the word "weak" for the impact they have on the viewer.


You are less drawn to them, or at least that's how I feel. I remember this was what I was chasing back in the day... that "Wow" effect. It doesn't always work but the choice of your lens is crucial to succeed.


Angelina Rakova (Prison du Castelet Toulouse/ France)

Fujifilm GFX100s + GF 80mm F1.7 R WR

1/125sec f/1.7 ISO 100



Obviously, this was the only one that didn't require a flash, the sun was enough to make it work. for the last one we tested a few things, and ended up created my least favorite of the session.,

,

Angelina Rakova (Prison du Castelet Toulouse/ France)

Fujifilm GFX100s + GF 80mm F1.7 R WR

1/125sec f/3.2 ISO 100



I was unable to visit the location before the session, and I regret it. We worked there at the wrong time of the day, making it really difficult to create the images I had in mind. The light that morning created shadows that were unpleasant. It almost made the place unusable for the compsitions and scenes I wanted to use. This reminded the importance of location scouting and preparation.


This session is tied to 2024, there is at least 1 other Behind the scenes video from last year in the works and then I will be able to finally fully embrace 2025.

21 Comments


Khushi Rao
Khushi Rao
6 days ago

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The shift to staying behind the lens feels like a bold move, but honestly, it makes the work speak even louder. The choice of that prison location adds such a raw, textured contrast to the dancer’s movement—really striking frames with the GFX. I love that you’re open about the technical trial-and-error, like the AD300pro being a bit underpowered for separation. For those of us who don’t shoot with that kind of gear, it’s a great reminder that post-processing can save a lot. By the way, if you ever need quick cleanup or a different take on backgrounds, the Free AI Image Generator is handy for experimenting without touching Lightroom. Looking forward to more from this series.

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Wow, this BTS dance photoshoot at Castelet is absolutely stunning! The way the movement is captured mid-action really shows how much planning and coordination goes into a shoot like this — it's not just about clicking the shutter at the right moment, but understanding the choreography, the lighting, and the energy of the dancers. As someone who's always juggling multiple projects at once (currently drowning in deadlines and even searching for Online Help with Law Assignment lately!), I truly admire the level of dedication it takes to produce work this polished. The behind-the-scenes effort that goes unseen is what makes the final images so powerful. The color grading and composition are chef's kiss — every frame looks like it could…

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